My Theater Writing for TalkinBroadway.com

Reviews

  1. Prymate by Mark Medoff. Review originally published on May 5, 2004.
  2. Frozen by Bryony Lavery, produced by the Manhattan Class Company. Review originally published on May 4, 2004.
  3. Caroline, or Change by Tony Kushner (book and lyrics) and Jeanine Tesori (music). Review originally published on May 2, 2004.
  4. Bombay Dreams by A.R. Rahman (music), Don Black (lyrics), and Meera Syal and Thomas Meehan (book). Review originally published on April 29, 2004.
  5. A Raisin in the Sun by Lorraine Hansberry. Review originally published on April 26, 2004.
  6. Jumpers by Tom Stoppard, produced by the Royal National Theatre. Review originally published on April 25, 2004.
  7. Assassins by Stephen Sondheim (score) and John Weidman (book), produced by the Roundabout Theatre Company. Review originally published on April 22, 2004.
  8. Beauty and the Beast (re-review) by Alan Menken (music), Howard Ashman and Tim Rice (lyrics), and Linda Woolverton (book). Review originally published on April 18, 2004.
  9. Sixteen Wounded by Eliam Kraiem. Review originally published on April 15, 2004.
  10. Match by Stephen Belber. Review originally published on April 8, 2004.
  11. Sly Fox by Larry Gelbart. Review originally published on April 1, 2004.
  12. Twentieth Century by Ben Hecht and Charles MacArthur, adapted by Ken Ludwig, produced by the Roundabout Theatre Company. Review originally published on March 25, 2004.
  13. King Lear by William Shakespeare, produced by Lincoln Center Theater. Review originally published on March 4, 2004.
  14. Fiddler on the Roof, book by Joseph Stein, music by Jerry Bock, lyrics by Sheldon Harnick. Review originally published on Ferbruary 26, 2004.
  15. Drowning Crow by Regina Taylor, produced by Manhattan Theatre Club. Review originally published on February 19, 2004.
  16. Mother's Little Helper by Lenora Champagne, produced by Soho Think Tank. Review originally published on February 11, 2004.
  17. un becoming by Rick Schweikert, produced by The Hers Foundation. Review originally published on February 11, 2004.
  18. The Ladies by Anne Washburn, produced by Dixon Place in association with Chashama and Cherry Lane Theatre. Review originally published on February 8, 2004.
  19. Valhalla by Paul Rudnick, produced by the New York Theatre Workshop. Review originally published on February 5, 2004.
  20. Promised Land by Harvey Huddleston, produced by the Red Earth Ensemble, in association with Focus Productions. Review originally published on January 30, 2004.
  21. Road to Nirvana by Arthur Kopit, produced by the Oberon Theatre Ensemble. Review originally published on January 26, 2004.
  22. What in the World: The NEWSical Revue by Rick Crom. Review originally published on January 22, 2004.
  23. The Mysteries, by Brian Kulick, produced by the Classic Stage Company. Review originally published on January 22, 2004.
  24. Abundance by Marty Pottenger, produced by The Working Theater. Review originally published on January 14, 2004.
  25. The Hunger Waltz by Sheila Callaghan. Review originally published on January 11, 2004.
  26. Anticipating Heat by Charlotte Winters, produced by Studio 42. Review originally published on January 11, 2004.
  27. Demon Baby by Erin Courtney, produced by Clubbed Thumb Theatre Company. Review originally published on January 11, 2004.
  28. Aunt Dan and Lemon by Wallace Shawn, produced by The New Group. Review originally published on December 18, 2003.
  29. The Regard Evening by Bill Irwin, Doug Skinner, Michael O'Connor, and Nancy Harrington, produced by the Signature Theatre Company. Review originally published on December 15, 2003.
  30. The Story by Tracey Scott Wilson, produced by The Public Theater. Review originally published on December 10, 2003.
  31. Handy Dandy by William Gibson, produced by Colleagues Theatre Company. Review originally published on December 9, 2003.
  32. Ah, My Dear Andersen, featuring stories by Hans Christian Andersen as adapted by Aleksey Burago, produced by Urban Stages. Review originally published on December 8, 2003.
  33. Juvenilia by Wendy MacLeod, produced by Playwrights Horizons. Review originally published on December 7, 2003.
  34. An Enola Gay Christmas by Doug Field. Review originally published on December 6, 2003.
  35. Never Gonna Dance, book by Jeffrey Hatcher, music by Jerome Kern, and lyrics by Dorothy Fields, Oscar Hammerstein II, Otto Harbach, Johnny Mercer, Ira Gershwin, Bernard Dougall, P.G. Wodehouse, Jimmy McHugh, and Edward Laska, based on the original film Swing Time and a story by Ewin Gelsey. Review originally published on December 4, 2003.
  36. I Am My Own Wife by Doug Wright. Review originally published on December 3, 2003.
  37. Caroline, or Change, book and lyrics by Tony Kushner and music by Jeanine Tesori, produced by The Public Theater. Review originally published on November 30, 2003.
  38. Wonderful Town with book by Jerome Fields and Jerome Chodorov, lyrics by Betty Comden and Adolph Green, and music by Leonard Bernstein. Review originally published on November 23, 2003.
  39. Bedroom Farce by Alan Ayckbourn, produced by the T. Schreiber Studio. Review originally published on November 22, 2003.
  40. Henry IV by William Shakespeare as adapted by Dakin Matthews, produced by Lincoln Center Theater. Review originally published on November 20, 2003.
  41. Oldest Living Confederate Widow Tells All by Martin Tahse based on the novel by Allan Gurganus. Review originally published on November 17, 2003.
  42. We're All Dead by Francis Heaney and James Evans, produced by Theater for a Big Country. Review originally published on November 16, 2003.
  43. Anna in the Tropics by Nilo Cruz. Review originally published on November 16, 2003.
  44. Machinal by Sophie Treadwell, produced by One Year Lease. Review originally published on November 15, 2003.
  45. Taboo, book by Charles Busch, score by George O'Dowd, produced by Rosie O'Donnell. Review originally published on November 13, 2003.
  46. Skin Deep by Jon Lonoff, produced by the WorkShop Theatre Company. Review originally published on November 9, 2003.
  47. The Caretaker by Harold Pinter, produced by Roundabout Theatre Company. Review originally published on November 9, 2003.
  48. The Violet Hour by Richard Greenberg, produced by Manhattan Theatre Club. Review originally published on November 6, 2003.
  49. The Long Christmas Ride Home by Paula Vogel, produced by the Vineyard Theatre. Review originally published on November 4, 2003.
  50. Bounce, book by John Weidman, music and lyrics by Stephen Sondheim, produced by the John F. Kennedy Center for the Performing Arts in Washington, D.C. Review originally published on November 3, 2003.
  51. American Storage by Edward Allen Baker, produced by Broken Watch Theatre Company. Review originally published on November 3, 2003.
  52. Cat on a Hot Tin Roof by Tennessee Williams. Review originally published on November 2, 2003.
  53. Wicked, book by Winnie Holzman, score by Stephen Schwartz. Review originally published on October 30, 2003.
  54. Six Dance Lessons in Six Weeks by Richard Alfieri. Review originally published on October 29, 2003.
  55. Wilder by Erin Cressida Wilson, Jack Herrick, and Mike Craver, produced by Playwrights Horizons. Review originally published on October 26, 2003.
  56. A Little Princess, book by Robert Sickinger and music and lyrics by Mel Atkey. Review originally published on October 24, 2003.
  57. Beyond Recognition by John Petrick, produced by Abingdon Theatre Company. Review originally published on October 23, 2003.
  58. The Retreat from Moscow by William Nicholson. Review originally published on October 23, 2003.
  59. The Two Noble Kinsmen by Richard Shakespeare and John Fletcher, produced by The Public Theater. Review originally published on October 19, 2003.
  60. The Boy From Oz, book by Martin Sherman based on an original book by Nick Enright, music by Peter Allen and lyrics by Allen and various other lyricists. Review originally published on October 16, 2003.
  61. Golda's Balcony by William Gibson. Review originally published on October 15, 2003.
  62. Eastern Standard by Richard Greenberg, produced by the T. Schreiber Studio. Review originally published on October 11, 2003.
  63. Beckett/Albee, featuring plays by Samuel Beckett and Edward Albee. Review originally published on December 9, 2003.
  64. 5 O'Clock by Richard Brockman, produced by the WorkShop Theater Company. Review originally published on October 8, 2003.
  65. Days of Wine and Roses by J.P. Miller, produced by Boomerang Theatre Company. Review originally published on October 6, 2003.
  66. Eat Your Heart Out by Nick Hall, produced by Hamylet Theatre Company. Review originally published on October 4, 2003.
  67. Little Shop of Horrors, book and lyrics by Howard Ashman based on a film by Roger Corman, music by Alan Menken. Review originally published on October 2, 2003.
  68. Living Out by Lisa Loomer, produced by Second Stage Theatre. Review originally published on September 30, 2003.
  69. Recent Tragic Events by Craig Wright, produced by Playwrights Horizons. Review originally published on September 28, 2003.
  70. Omnium Gatherum by Theresa Rebeck and Alexandra Gersten-Vassilaros. Review originally published on September 25, 2003.
  71. Cupid and Psyche, book and lyrics by Sean Hartley, music by Jihwan Kim. Review originally published on September 24, 2003.
  72. Chekhov's Rifle by Alex Ladd, produced by Lord Strange Troupe. Review originally published on September 23, 2003.
  73. The Harlequin Studies by Bill Irwin, produced by Signature Theatre Company. Review originally published on September 21, 2003.
  74. The Rivals by Richard Brinsley Sheridan, produced by the Pearl Theatre Company. Review originally published on September 21, 2003.
  75. Far and Wide by Arthur Schnitzler, produced by the Mint Theater Company. Review originally published on September 18, 2003.
  76. Waiting for the Parade by John Murrell, produced by Biltmore Theatre Group. Review originally published on September 14, 2003.
  77. Berlin by Erik Orton. Review originally published on September 12, 2003.
  78. Almost Live from the Betty Ford Clinic by Michael West. Review originally published on September 11, 2003.
  79. Chocolate in Heat: Growing Up Arab in America by Betty Shamieh. Review originally published on September 8, 2003.
  80. In Spite of Myself by Antoinette LaVecchia, produced by Urban Stages. Review originally published on September 7, 2003.
  81. The Threepenny Opera by Bertolt Brecht and Kurt Weill, produced by Jean Cocteau Repertory. Review originally published on September 6, 2003.
  82. The Substance of John, AP Book V: Jack Kerouac by Francis Kuzler, produced by Boomerang Theatre Company. Review originally published on September 5, 2003.
  83. The Hot Month by Taylor Mac Bowyer, produced by Boomerang Theatre Company. Review originally published on September 4, 2003.
  84. The Thing About Men, book and lyrics by Joe DiPietro, music by Jimmy Roberts. Review originally published on August 27, 2003.
  85. Indian Ink by Tom Stoppard, produced by Alter Ego Theater Company. Review originally published on August 18, 2003.
  86. Espresso Trasho, book and lyrics by Charles Leipart, and music by Eric Schorr, produced as part of the New York International Fringe Festival.
  87. Mr. Gallico by Sam Carter, produced by Widemouth Theater and HERE Arts Center. Review originally published on August 11, 2003.
  88. Slut by Stephen Sislen and Ben Winters, produced as part of the New York International Fringe Festival. Review originally published on August 10, 2003.
  89. Lost, book and lyrics by Kirk Wood Bromley, music by Jessica Grace Wing, produced by Inverse Theater as part of the New York International Fringe Festival. Review originally published on August 9, 2003.
  90. The Wood Demon by Anton Chekhov, translated by Carol Rocamora, produced by Desert Apple Theater Company. Review originally published on August 8, 2003.
  91. A Stoop on Orchard Street by Jay Kholos. Review originally published on August 7, 2003.
  92. Piper's Song by John Ryerson, produced by Rockhill Productions. Review originally published on August 4, 2003.
  93. Conversation With a Kleagle by Rudy Gray, produced by WorkShop Theater Company. Review originally published on August 2, 2003.
  94. Avenue Q, music and lyrics by Jeff Marx and Robert Lopez, book by Jeff Whitty. Review originally published on July 31, 2003.
  95. BKC by Brad Webb and Matt Schapiro, produced as part of the Midtown International Theatre Festival. Review originally published on July 27, 2003.
  96. Just Us Boys by Frank Stancati, produced as part of the Midtown International Theatre Festival. Review originally published on July 26, 2003.
  97. Nice Guys Finish... by Eric Alter, produced as part of the Midtown International Theatre Festival. Review originally published on July 25, 2003.
  98. Criminal: A Short Tragedy about a Counter-transferential Transference by Javier Daulte and translated by Rodrigo Cameron, produced as part of the Midtown International Theatre Festival. Review originally published July 24, 2003.
  99. Big River: The Adventures of Huckleberry Finn, music and lyrics by Roger Miller, book by William Hauptman, and produced by the Roundabout Theatre Company. Review originally published on July 24, 2003.
  100. Edge by Paul Alexander. Review originally published on July 23, 2003.
  101. (Gone With) Miss Julie by August Strindberg as adapted by Shela Xoregos, produced as part of the Midtown International Theatre Festival. Review originally published on July 22, 2003.
  102. The $25,000 Pyramid by Nick Vigorito, Jr., produced as part of the Midtown International Theatre Festival. Review originally published on July 21, 2003.
  103. That Play by Tom Gualtieri and William Shakespeare, produced as part of the Midtown International Theatre Festival. Review originally published on July 20, 2003.
  104. Thrill Me: The Leopold & Loeb Story by Stephen Dolginoff, produced as part of the Midtown International Theatre Festival. Review originally published on July 19, 2003.
  105. Conquest of the Universe by Charles Ludlam, produced by Salt Theater as part of the 2003 Ice Factory. Review originally published on July 18, 2003.
  106. Waiting for the Glaciers to Melt by Brian Lane Green, produced as part of the Midtown International Theatre Festival. Review originally published on July 17, 2003.
  107. The Overdevelopment of Scott by Sharon Fogarty, produced as part of the Midtown International Theatre Festival. Review originally published on July 16, 2003.
  108. Henry V by William Shakespeare, produced by the Public Theater/New York Shakespeare Festival. Review originally published on July 15, 2003.
  109. Tragedy in 9 Lives by Karen Houppert, produced by Sightlines Theater Company. Review originally published on July 13, 2003.
  110. Cafe A Go Go by the Heather Brothers. Review originally published on July 13, 2003.
  111. Gravity Always Wins by Marc Spitz, produced by HERE Arts Center. Review originally published on July 12, 2003.
  112. The Fishermen of Beaudrais by Ring Lardner, Jr. and Dalton Trumbo, produced by Firedrake Productions. Review originally published on July 4, 2003.
  113. The Notebooks of Leonardo da Vinci by Mary Zimmerman, produced by Second Stage Theatre. Review originally published on June 29, 2003.
  114. The Importance of Being Earnest by Oscar Wilde, produced by the Aquila Theatre Company. Review originally published on June 29, 2003.
  115. Mack the Knife: The Life and Music of Bobby Darin by Chaz Esposito. Review originally published on June 22, 2003.
  116. 7 Blowjobs by Mac Wellman, produced by Thin Duke Productions. Review originally published on June 21, 2003.
  117. Eight Days (Backwards) by Jeremy Dobrish, produced by the Vineyard Theatre. Review originally published on June 16, 2003.
  118. First Light: A Festival of New Short Plays by various writers, produced by Circle East Theater Company. Review originally published on June 15, 2003.
  119. Bad Dates by Theresa Rebeck, produced by Playwrights Horizons. Review originally published on June 14, 2003.
  120. More Than This by Edmund de Santis, produced by Red Light District. Review originally published on June 13, 2003.
  121. Dating Games by Gareth Wingfield, produced by Winged Angel Productions. Review originally published on June 12, 2003.
  122. Ensemble Studio Theatre Marathon 2003 (Series B), by various writers, produced by the Ensemble Studio Theatre. Review originally published on June 3, 2003.
  123. "MASTER HAROLD"...and the boys. by Athol Fugard, produced by the Roundabout Theatre Company. Review originally published on June 1, 2003.
  124. The Prince of Grand Street in Concert, by Bob Merrill, produced by the Jewish Repertory Theatre. Review originally published on May 29, 2003.
  125. I Am My Own Wife by Doug Wright, produced by Playwrights Horizons. Review originally published on May 27, 2003.
  126. Peg O' My Heart by J. Hartley Manners, with original songs by Charlotte Moore, produced by the Irish Repertory Theatre. Review originally published on May 22, 2003.
  127. Humble Boy by Charlotte Jones, produced by the Manhattan Theatre Club. Review originally published on May 18, 2003.
  128. Ensemble Studio Theatre Marathon 2003 (Series A), by various writers, produced by the Ensemble Studio Theatre. Review originally published on May 15, 2003.
  129. Down a Long Road by David Marquis. Review originally published on May 14, 2003.
  130. Lost & Found by Paul Harris, produced by Upstart Theater Company. Review originally published on May 11, 2003.
  131. Bed & Breakfast by Richard Lay, produced by Sage Theatre Company. Review originally published May 11, 2003.
  132. I Never Sang For My Father by Robert Anderson, produced by Laterthanever Productions. Review originally published on May 9, 2003.
  133. Long Day's Journey Into Night, by Eugene O'Neill, produced by David Richenthal, Max Cooper, Eric Falkenstein, Anthony and Charlene Marshall, and Darren Bagert in association with Kara Medoff, Lisa Vioni, and Gene Korf. Review originally publisihed on May 6, 2003.
  134. Nothing of Origins, written and produced by company members of Studio 42 and One Year Lease. Review originally published on May 4, 2003.
  135. The Look of Love: The Songs of Burt Bacharach and Hal David, conceived by David Thompson, Scott Ellis, Ann Reinking, and David Loud, produced by Roundabout Theatre Company. Review originally published on May 4, 2003.
  136. An Evening With Shakespeare's Women, based on the works of William Shakespeare, produced by Love Street Theatre. Review originally published on May 3, 2003.
  137. Mary Todd... A Woman Apart by Carl Wallnau III, produced by Centenary Stage Company. Review originally published on May 1, 2003.
  138. Gypsy, book by Arthur Laurents, music by Jule Styne, lyrics by Stephen Sondheim. Review originally published on May 1, 2003.
  139. Salome: The Reading, by Oscar Wilde. Review originally published on April 30, 2003.
  140. Last of the Suns by Alice Tuan, produced by the Ma-Yi Theatre Company. Review originally published on April 29, 2003.
  141. The Lucky Chance by Aphra Behn, produced by Queen's Company. Review originally published on April 29, 2003.
  142. Enchanted April by Matthew Barber. Review originally published on April 29, 2003.
  143. Cara Lucia by Sharon Fogarty, produced by Mabou Mines. Review originally published on April 23, 2003.
  144. Dream a Little Dream by Denny Doherty and Paul Ledoux. Review originally published on April 23, 2003.
  145. As You Like It by William Shakespeare, produced by the Public Theater. Review originally published on April 14, 2003.
  146. She Stoops to Comedy by David Greenspan, produced by Playwrights Horizons. Review originally published on April 13, 2003.
  147. Daisy Mayme by George Kelly, produced by the Pearl Theatre Company. Review originally published on April 13, 2003.
  148. A Year With Frog and Toad, music by Robert Reale, book and lyrics by Willie Reale, based on the books of Arnold Lobel, produced by Adrianne Lobel. Review originally published on April 13, 2003.
  149. Nine, music and lyrics by Maury Yeston, book by Arthur Kopit, translated from the Italian by Mario Fratti, produced by Roundabout Theatre Company. Review originally published on April 10, 2003.
  150. The Crazy Locomotive by Stanislaw Witkiewicz, produced by Classical Theatre of Harlem. Review originally published on April 4, 2003.
  151. A Day in the Death of Joe Egg by Peter Nichols, produced by Roundabout Theatre Company. Review originally published on April 3, 2003.
  152. Calthropia by Tom Kleh, produced by the Bank Street Theatre. Review originally published on March 31, 2003.
  153. Life x 3 by Yasmina Reza. Review originally published on March 31, 2003.
  154. The Play What I Wrote by Sean Foley and Hamish McColl. Review originally published on March 30, 2003.
  155. Pins & Needles in concert, sketches by Joseph Schrank, music by Harold Rome, produced by Jewish Repertory Theatre. Review originally published on March 28, 2003.
  156. Urban Cowboy, book by Aaron Latham and Philip Oesterman, music and lyrics by various composers, with new theatrical material written by Jeff Blumenkrantz, Bob Stillman, and Jason Robert Brown. Review originally published on March 27, 2003.
  157. Golda's Balcony by William Gibson, produced by the Manhattan Ensemble Theater. Review originally published on March 26, 2003.
  158. Iphigenia by P. Seth Bauer, produced by Workshop Theater Company. Review originally published on March 26, 2003.
  159. Don Juan by Moliere, translated by Christopher Hampton, produced by Theatre for a New Audience. Review originally published on March 23, 2003.
  160. God & Mr. Smith by Travis Baker, produced by Kaleidoscope Theatre Company. Review originally published on March 20, 2003.
  161. None of the Above by Jenny Lyn Bader, produced by New Georges. Review originally published on March 19, 2003.
  162. Avenue Q, book by Jeff Whitty, music and lyrics by Robert Lopez and Jeff Marx, produced by the Vineyard Theatre. Review originally published on March 19, 2003.
  163. Fucking A by Suzan-Lori Parks, produced by the Public Theater. Review originally published on March 16, 2003.
  164. Lovecraft: Nightmare Suite, based on the works of H. P. Lovecraft, produced by Cobblestone Productions. Review originally published on March 14, 2003.
  165. My Life With Albertine, music and lyrics by Ricky Ian Gordon, book and lyrics by Richard Nelson, produced by Playwrights Horizons. Review originally published on March 13, 2003.
  166. Alma and Mrs. Woolf by Anne Legault, translated by Daniel Libman, produced by the Blue Heron Arts Center. Review originally published on March 10, 2003.
  167. Tea at Five by Matthew Lombardo, produced by Daryl Roth, David Gersten, Paul Morer, Michael Filerman, Amy Nederlander, and Scott E. Nederland. Review originally published on March 9, 2003.
  168. Daisy in the Dreamtime by Lynne Kaufman, produced by Abingdon Theatre Company. Review originally published on March 8, 2003.
  169. A Ritual of Faith, by Brad Levinson, produced by Emerging Artist Theatre. Review originally publised on March 8, 2003.
  170. The Chinese Art of Placement, by Stanley Rutherford, produced by the 78th Street Theatre Lab. Review originally published on March 7, 2003.
  171. Our Lady of 121st Street by Stephen Adly Guirgis, produced by the LAByrinth Theater Company. Review originally published on March 6, 2003.
  172. Vincent in Brixton by Nicholas Wright, produced by Lincoln Center Theater. Review originally published on March 6, 2003.
  173. Radiant Baby with music by Debra Barsha, lyrics by Ira Gasman, Stuart Ross, and Barsha, book by Ross, produced by the Joseph Papp Public Theater. Review originally published on March 2, 2003.
  174. Night Ether by J. Grawemeyer, produced by Pilot House Theater Company. Review originally published on March 3, 2003.
  175. Roses in December by Victor L. Cahn, produced by Urban Stages. Review originally published on February 28, 2003.
  176. Take Me Out by Richard Greenberg, produced by Carole Shorenstein Hays and Frederick DeMann on behalf of the Donmar Warehouse and the Joseph Papp Public Theater. Review originally published on February 27, 2003.
  177. Little Fish by Michael John LaChiusa, produced by Second Stage Theatre. Review originally published on February 19, 2003.
  178. Heartbreak House by George Bernard Shaw, produced by the Pearl Theatre Company. Review originally published on February 16, 2003.
  179. Jessie by January Tyme and S. Kurt Kurta, produced by the Chelsea Playhouse. Review originally published on February 13, 2003.
  180. It Just Catches by Ernest Hemingway, conceived by Carol Hemingway, produced by the Cherry Lane Theatre. Review originally published on February 9, 2003.
  181. Mark of Cain by Morti Vizki, produced by the 78th Street Theatre Lab. Review originally published on February 8, 2003.
  182. Requiem for William by William Inge and conceived by Jack Cummings III, produced by Transport Group. Review originally published on February 8, 2003.
  183. Ma Rainey's Black Bottom by August Wilson, produced by Sageworks, Benjamin Mordecai, Robert G. Bartner, Harriet N. Leve & Jennifer Manocherian, Kim Poster & Theatre Royal Haymarket Productions, and Whoopi Goldberg in association with Peg McFeeley Gold/Willa Shalit, Morton Swinsky/James D. Stern, and Brian Brolly/Susan Dietz by special arrangement with Robert Cole and Frederick Zollo. Review originally published February 6, 2003.
  184. Cockfighters by Johnna Adams, produced by Oberon Theatre Ensemble. Review originally published on February 4, 2003.
  185. Kimberly Akimbo by David Lindsay-Abaire, produced by the Manhattan Theatre Club. Review originally published on February 4, 2003.
  186. From the Top by Scott C. Sickles, produced by Workshop Theater Company. Review originally published on February 3, 2003.
  187. The Woman From the Sea by Spence Porter, produced by the T. Schreiber Studio. Review originally published on February 2, 2003.
  188. Bedbound by Enda Walsh, produced by the Irish Repertory Theatre. Review originally published on January 23, 2003.
  189. Cookin' at the Cookery: The Life and Music of Alberta Hunter by Marion J. Caffey, produced by Melting Pot Theatre. Review originally published on January 22, 2003.
  190. The Love Hungry Farmer by John B. Keane, produced by the Irish Repertory Theatre. Review originally published on January 22, 2003.
  191. Julius Caesar by William Shakespeare, produced by Theatre for a New Audience. Review originally published on January 19, 2003.
  192. Comedians by Trevor Griffiths, produced by The New Group. Review originally published on January 15, 2003.
  193. love/sad by J. Bajir Cannon, produced by Studio_42. Review originally published on January 11, 2003.
  194. The Metamorphosis From Kafka, adapted by E. Thomalen, review originally published January 10, 2003.
  195. Tartuffe by Moliere, produced by the Roundabout Theatre Company. Review originally published on January 9, 2003.
  196. Dinner at Eight by George S. Kaufman and Edna Ferber, produced by Lincoln Center Theater. Review originally published on December 19, 2002.
  197. Hank Williams: Lost Highway by Randal Myler and Mark Harelik, produced by the Manhattan Ensemble Theater. Review originally published on December 19, 2002.
  198. Porterphiles conceived by Judy Brown, featuring the songs of Cole Porter, produced by the York Theatre Company. Review originally published on December 19, 2002.
  199. The Three Sisters by Anton Chekhov, produced by Stomping Ground Theatre Cmopany. Review originally published on December 13, 2002.
  200. Imaginary Friends by Nora Ephron, music by Marvin Hamlisch, lyrics by Craig Carnelia. Review originally published on December 12, 2002.
  201. The Tempest by William Shakespeare, produced by the Pearl Theatre. Review originally published on December 11, 2002.
  202. Dance of the Vampires, music by Jim Steinman, book by Michael Kunze and David Ives, lyrics by Kunze and Steinman. Review originally published on December 9, 2002.
  203. La Boheme, music by Giacomo Puccini, produced by Bazmark Productions. Review originally published on December 8, 2002.
  204. Man of La Mancha, book by Dale Wasserman, music by Mitch Leigh, lyrics by Joe Darion. Review originally published on December 5, 2002.
  205. Our Town by Thorton Wilder, produced by the Westport County Playhouse. Review originally published on December 4, 2002.
  206. Maggie's Daughters by Frances Galton, produced by American Playwrights Theatre. Review originally published on November 29, 2002.
  207. The General from America by Richard Nelson, produced by Theatre for a New Audience. Review originally published on November 22, 2002.
  208. The Fourth Sister by Janusz Glowacki, produced by the Vineyard Theatre. Review originally published on November 21, 2002.
  209. Tuesdays With Morrie, by Mitch Albom and Jeffrey Hatcher, produced by David S. Singer, Elizabeth Ireland McCann, Joey Parnes, Amy & Scott Nederlander, Harold Thau, Moira Wilson, and Shadowcatcher Entertainment. Review originally published on November 19, 2002.
  210. Chicago, music by John Kander, lyrics by Fred Ebb, book by Fred Ebb and Bob Fosse, produced by Barry and Fran Weissler in association with Kardana/Hart Sharp Entertainment. Review originally published on November 18, 2002.
  211. Harlem Duet, by Djanet Sears, produced by the Blue Heron Arts Center. Review originally published on November 17, 2002.
  212. Prelude to a Kiss, by Craig Lucas, produced by the T. Schreiber Studio. Review originally published on November 16, 2002.
  213. Russell Simmons' Def Poetry Jam on Broadway, conceived by Stan Lathan and Russell Simmons, produced by Russell Simmons, Stan Lathan, Jonathan Reinis, Richard Martini, Larry Magic, and Allen Spivak in association with Kimora Lee Simmons, Jeffrey Charier, Stacey Carter, and Island Def Jam Music Group. Review originally published on November 14, 2002.
  214. Or Polaroids (Version 2.1), by Ken Urban, produced by The Committee and HERE. Review originally published on November 10, 2002.
  215. Beach Radio, book by Dave Shepperd, music by Gerard Kenny, lyrics by Dave Shepperd, produced by CAP21. Review originally published on November 7, 2002.
  216. Acts of Providence, by Edward Allen Baker, produced by the Alter Ego Theatre Company. Review originally published on November 3, 2002.
  217. The Cherry Orchard, by Anton Chekhov, translated by Elizaveta Fen, produced by The Jovial Crew as part of the 4th Annual Chekhov NOW Festival. Review originally published on November 3, 2002.
  218. The Three Sisters, by Anton Chekhov, translated by Paul Schmidt, produced by the Tinderbox Theatre as part of the 4th Annual Chekhov NOW Festival. Review originally published on November 3, 2002.
  219. Hollywood Arms, by Carol Burnett and Carrie Hamilton, produced by Harold Prince and Arielle Tepper. Review originally published on October 31, 2002.
  220. Love in the Age of Narcissism, by Brad Desch, produced by The Director's Company. Review originally published on October 31, 2002.
  221. Debbie Does Dallas, adapted by Erica Schmidt from the 1979 film, music by Andrew Sherman, additional music and lyrics by Tom Kitt and Jonathan Callicutt. Review originally published on October 29, 2002.
  222. Movin' Out, conceived, directed, and choreographed by Twyla Tharp to the music of Billy Joel. Review originally published on October 24, 2002.
  223. Yellowman, by Dael Orlandersmith, produced by the Manhattan Theatre Club. Review originally published on October 22, 2002.
  224. Amour, adapted from Marcel Ayme's Le Passe-Muraille, music by Michel Legrand, original French libretto by Didier van Cauwelaert with an English adaptation by Jeremy Sams, produced by The Shubert Organization, Jean Doumanian Productions, Inc., and USA Ostar Theatricals. Review originally published on October 20, 2002.
  225. The 4 am 'lizbeth, by Jonathan Calindas, produced as part of the Spotlight On Halloween Festival. Review originally published on October 20, 2002.
  226. Nathan the Wise, by Gotthold Loessing, adapted by Richard Sewell, produced by the Pearl Theatre Company. Review originally publishied on October 20, 2002.
  227. Flower Drum Song, music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by David Henry Hwang based on the original book by Oscar Hammerstein II and Joseph Fields. Review originally published on October 17, 2002.
  228. Bailegangaire, by Tom Murphy, produced by the Irish Repertory Theatre. Review originally published on October 13, 2002.
  229. Say Goodnight Gracie, by Rupert Holmes, produced by William Franzblau, Jay H. Harris, Louise Westergaard, Larry Spellman, Elsa Daspin Haft, Judith Resnick, Anne Gallagher, Libby Adler Mages/Mari Glick, Martha R. Gasprian, Bruce Lazarus, Lawrence S. Toppall, and Jae French. Review originally published on October 10, 2002.
  230. A Man of No Importance, book by Terrence McNally, lyrics by Lynn Ahrens, music by Stephen Flaherty, produced by Lincoln Center Theatre. Review originally published on October 10, 2002.
  231. Rum & Vodka, by Conor McPherson. Review originally publishied on October 7, 2002.
  232. The Charity that Began at Home, by St John Hackin, produced by the Mint Theatre Company. Review originally published on October 7, 2002.
  233. Antony and Cleopatra, by William Shakespeare, produced by The Queen's Company. Review originally published on October 7, 2002.
  234. Happy Days, by Samuel Beckett, produced by the Cherry Lane Theatre. Review originally published on September 29, 2002.
  235. Jolson & Company, by Stephen Mo Hanan and Jay Berkow. Review originally published on September 29, 2002.
  236. Ray on the Water, by Edward Allen Baker. Review originally published on September 28, 2002.
  237. Little Ham: A Harlem Jazzical, music by Judd Woldin, lyrics by Richard Engquist and Judd Woldin, and book by Dan Owens. Review originally published on September 26, 2002.
  238. Henry V by William Shakespeare, produced by the Jean Cocteau Repertory. Review originally published on September 21, 2002.
  239. She Stoops to Conquer, by Oliver Goldsmith, produced by the Pearl Theatre Company. Review originally published on September 21, 2002.
  240. Burn This, by Lanford Wilson, produced by the Signature Theatre Company. Review originally published on September 19, 2002.
  241. Split, by Michael Weller, produced by the Broken Watch Theatre Company. Review originally published on September 16, 2002.
  242. Anna Christie, by Eugene O'Neill, produced by Cold Productions and Chance Michaels. Review originally published on September 15, 2002.
  243. Faster, by Adam Rapp, produced by the Rattlestick Theatre. Review originally published on September 9, 2002.
  244. Danny and Sylvia: A Musical Love Story, book and lyrics by Bob McElwaine and music by Bob Bain, produced by Chashama. Review originally published on September 6, 2002.
  245. Take Me Out, by Richard Greenberg, produced by the Joseph Papp Public Theater. Review originally published on September 5, 2002.
  246. Baptizing Adam, by David Allyn. Review originally published on August 29, 2002.
  247. The Boys From Syracuse, music by Richard Rodgers, lyrics by Lorenz Hart, book by Nicky Silver based on the original book by George Abbott, produced by the Roundabout Theatre Company. Review originally published on August 18, 2002.
  248. Hairspray, music by Marc Shaiman, lyrics by Shaiman and Scott Wittman, book by Mark O'Donnell and Thomas Meehan, based on the New Line Cinema film written and directed by John Waters, produced by Margo Lion, Adam Epstein, The Baruch-Viertel-Routh-Frankel Group, James D. Stern/Douglas L. Mayer, Rick Steiner/Frederic H. Mayerson, SEL & GFO, and New Line Cinema in association withi Clear Channel Entertainment, A. Gordon/E. McAllister, D. Harris/M. Swinsky, and J. & B. Osher. Review originally published on August 15, 2002.
  249. Frankie and Johnny in the Clair de Lune, by Terrence McNally, produced by The Araca Group, Jean Doumanian Productions, USA Ostar Theatricals in association with Jam Theatricals, and Ray and Kit Sawyer. Review originally published on August 8, 2002.
  250. Midwestern Chum, by Sarah Bewley, produced by Urban Stages. Review originally published on August 5, 2002.
  251. Les Miserables, by Alain Boublil and Claude-Michel Schonberg, with additional lyrics by Herbert Kretzmer, produced by Cameron Mackintosh. Review published on July 28, 2002.
  252. I'm Not Rappaport, by Herb Gardner, produced by Elliot Martin, Lewis Allen, Ronald Shapiro, Bud Yorkin, James Cushing, Roy Miller, Mari Nakachi, Tommy DeMaio, and Zandu Productions. Review originally published on July 25, 2002.
  253. Elle, by Jean Genet, adapted by Alan Cumming, produced by The Art Party. Review originally published July 24, 2002.
  254. Twelfth Night, by William Shakespeare, produced by the Joseph Papp Public Theater/New York Shakespeare Festival. Review originally published on July 23, 2002.
  255. Heroes, by Jonathan Brady, presented as part of the Midtown International Theatre Festival. Review originally published on July 22, 2002.
  256. Faustus, originally by Christopher Marlowe, adapted by Jay Michaels, presented as part of the Midtown International Theatre Festival. Review originally published on July 22, 2002.
  257. Belles of the Mill, music and lyrics by Jill Marshall-Work, book by Rachel Rubin Ladutke, presented as part of the Midtown International Theatre Festival. Review originally published on July 21, 2002.
  258. Two Rooms, by Lee Blessing, produced by Propinquity Productions. Review originally published on July 21, 2002.
  259. Othello, by William Shakespeare, produced by Jambalaya Productions. Review originally published on July 17, 2002.
  260. City of Dreams, music by Joseph Zellnik, book and lyrics by David Zellnik, presented as part of the Midtown International Theatre Festival. Review originally published on July 12, 2002.
  261. LooLa, by Tesha Buss, presented as part of the Midtown International Theatre Festival. Review originally published on July 12, 2002.
  262. The Comedy of Errors, by William Shakespeare, produced by the Aquila Theatre Company. Review originally published on July 11, 2002.
  263. Play Yourself, by Harry Kondoleon, produced by the New York Theatre Workshop. Review originally published on July 10, 2002.
  264. All Over, by Edward Albee, produced by the Roundabout Theatre Company. Review originally published on June 27, 2002.
  265. The Phantom of the Opera, music by Andrew Lloyd Webber, lyrics by Charles Black and Richard Stilgoe, produced by the Really Useful Group. Review (of current cast) originally published on June 23, 2002.
  266. Mortal Coils, an evening of five one-act plays by Frederick Stroppel, produced by SKT Productions. Review originally published on June 23, 2002.
  267. The American Revolution, by Kirk Wood Bromley, produced by the Inverse Theater Company. Review originally published on June 23, 2002.
  268. Bad Women, by Tina Shepard, produced by the HERE Arts Center. Review originally published on June 22, 2002.
  269. Thunder Knocking on the Door, book by Keith Glover, music and lyrics by Keb' Mo', Anderson Edwards, and Keith Glover. Review originally published on June 20, 2002.
  270. The Prince and the Pauper, book by Bernie Garzia and Ray Roderick, music by Neil Berg, lyrics by Neil Berg and Bernie Garzia. Review originally published on June 16, 2002.
  271. When We Dead Awaken, by Henrik Ibsen, translated by Rolf Fjelde, produced by the Century Center for the Performing Arts. Review originally published on June 9, 2002.
  272. Oresteia, translated and adapted by Iason Demos and Yiannis Papatheodorou from the plays by Aeschylus, produced by One Year Lease Theater Company. Review originally published on June 9, 2002.
  273. Marathon, Section C, the third of three collections of new one-act plays produced by the Ensemble Studio Theater. Review originally published on June 9, 2002.
  274. Death in Venice, adapted by Robert David MacDonald from a translation by David Luke of the story by Thomas Mann, produced by the Manhattan Ensemble Theater. Review originally published June 8, 2002.
  275. Boys and Girls, by Tom Donaghy, produced by Playwrights Horizons. Review originally published on May 28, 2002.
  276. Interview with Robert Picardo, of A Class Act at the Pasadena Playhosue. Originally published May 29, 2002.
  277. Marathon, Section B, the second of three collections of new one-act plays produced by the Ensemble Studio Theater. Review originally published on May 24, 2002.
  278. House and Garden, by Alan Ayckbourn, both produced by the Manhattan Theatre Club. Joint review originally published May 21, 2002.
  279. The Doctor of Rome, by Nat Colley, produced by the Revolving Shakespeare Company. Review originally published on May 19, 2002.
  280. Dancing at Lughnasa, by Brian Friel, produced by the T. Schreiber Studio. Review originally published on May 15, 2002.
  281. Red Hot Mama, by Sharon McKnight, produced by the York Theatre Company. Review originally published on May 15, 2002.
  282. A Few Stout Individuals, by John Guare, produced by the Signature Theatre Company. Review originally published on May 12, 2002.
  283. Nighttown, by Susan Mosakowski. Review originally published on May 11, 2002.
  284. Marathon, Sequence A, the first of three collections of new one-act plays produced by the Ensemble Studio Theater. Review originally published on May 9, 2002.
  285. The Merchant of Venice, by William Shakespeare, produced by the Revolving Shakespeare Company. Review originally published on May 6, 2002.
  286. The Man Who Had All the Luck, by Arthur Miller, produced by the Roundabout Theater Company. Review originally published on May 1, 2002.
  287. ...and then you go on. An Anthology of the Works of Samuel Beckett, adapted and performed by Bob Jaffe. Produced by HERE Arts Center. Review originally published on April 29, 2002.
  288. Private Lives, by Noel Coward. Review originally published on April 28, 2002.
  289. The Mystery of Charles Dickens, by Peter Ackroyd. Review originally published on April 25, 2002.
  290. Romeo and Juliet, by William Shakespeare, produced by the Pearl Theatre Company. Review originally published on April 23, 2002.
  291. Blue Surge, by Rebecca Gilman, produced by the Joseph Papp Public Theater. Review originally published on April 22, 2002.
  292. Much Ado About Nothing, by William Shakespeare, produced by the Pearl Theatre Company. Review originally published on April 22, 2002.
  293. Measure For Measure, by William Shakespeare, produced by the Acting Shakespeare Company. Review originally published on April 21, 2002.
  294. Dom Juan, by Moliere, translated by Alex Roe, produced by the Metropolitan Playhouse. Review originally published on April 15, 2002.
  295. These Four Walls, by Charlotte Meehan, produced by Dixon Place. Review originally published on April 15, 2002.
  296. The Elephant Man, by Bernard Pomerance, produced by the Manhattan Theatre Club. Review originally published on April 14, 2002.
  297. Swimming With Watermelons, by Diane Paulus and Randy Weiner, produced by Theatre 400. Review originally published on April 14, 2002.
  298. The Golem, by H. Leivick, translated by Joseph C. Landis, adapted by David Fishelson, produced by the Manhattan Ensemble Theater. Review originally published on April 11, 2002.
  299. 3 Dark Tales, produed by Theatre O. Review originally published on April 9, 2002.
  300. Helen, by Ellen McLaughlin, produced by the Joseph Papp Public Theater. Review originally published on April 8, 2002.
  301. Topdog/Underdog, by Suzan-Lori Parks. Review originally published on April 7, 2002.
  302. The Graduate, by Terry Johnson. Review originally published on April 4, 2002.
  303. The Sweepers, by John C. Picardi, produced by Urban Stages. Review originally published on April 2, 2002.
  304. Franny's Way, by Richard Nelson, produced by Playwright's Horizons. Review originally published on March 26, 2002.
  305. The Smell of the Kill, by Michele Lowe. Review originally published on March 26, 2002.
  306. The Winter's Tale, by William Shakespeare, produced by the Stomping Ground Theatre Company. Review originally published on March 26, 2002.
  307. The Faith Healer, by William Vaughn Moody, produced by the Metropolitan Playhouse. Review originally published on March 25, 2002.
  308. No Time For Comedy, by S. N. Behrman, produced by the Mint Theatre. Review originally published on March 25, 2002.
  309. Cloud Nine, by Caryl Churchill, produced by Double Helix Productions. Review originally published on March 24, 2002.
  310. 'Tis Pity She's a Whore, by John Ford, music by P. J. Cacioppo, lyrics and adaptation by R. J. Tolan, produced by the Women's Shaekspeare Company. Review originally published on March 18, 2002.
  311. The Kings of the Kilburn High Road, by Jimmy Murphy, produced by the Irish Arts Center. Review originally published on March 17, 2002.
  312. Borough Tales: Brooklyn, by multiple authors, produced by White Bird Productions. Review originally published on March 14, 2002.
  313. Melancholy Baby!, book, music and lyrics by Jeff Richmond and Michael Thomas. Review originally published on March 13, 2002.
  314. Mr. Goldwyn, by Marsha Lebby and John Lollos. Review originally published on March 13, 2002.
  315. Prodigal, book and lyrics by Dean Bryant, music by Mathew Frank, produced by the York Theatre Company. Review originally published on March 12, 2002.
  316. The Goat, or Who Is Sylvia?, by Edward Albee. Review originally published on March 10, 2002.
  317. The Green Dragon, by Jonathan Calindas. Review originally published on March 7, 2002.
  318. Lexy, by Frank J. Avella. Review originally published on March 7, 2002.
  319. One Mo' Time, by Vernel Bagneris. Review originally published on March 6, 2002.
  320. Metamorphoses, by Mary Zimmerman. Review originally published on March 4, 2002.
  321. The Last Five Years, by Jason Robert Brown. Review originally published on March 3, 2002.
  322. Necessary Targets, by Eve Ensler. Review originally published on February 28, 2002.
  323. Elaine Stritch At Liberty, constructed by John Lahr, reconstrcuted by Elaine Stritch, produced by John Schreiber, Creative Battery, Margo Lion, Robert Cole (Executive Producer) in association with Dede Harris/Mort Swinsky, Cheryl Wiesenfeld, and The Public Theater/New York Shakespeare Festival. Review originally published on February 21, 2002.
  324. Our Town, by Thornton Wilder, produced by the Transport Group. Review originally published on February 16, 2002.
  325. The Parker Family Circus, by Jan Buttram, produced by the Abingdon Theatre Company. Review originally published on February 13, 2002.
  326. The Matchmaker, by John B. Keane, produced by the Irish Repertory Theatre. Review originally published on February 10, 2002.
  327. Damien, by Alydth Morris, produced by Open Road Productions with the special assistance of Blackfriars Repertory Theatre and Mystic Theatre. Review originally published on February 8, 2002.
  328. An Almost Holy Picture, by Heather McDonald, produced by the Roundabout Theatre Company. Review originally published on February 7, 2002.
  329. Further Than the Furthest Thing, by Zinnie Harris, produced by the Manhattan Theatre Club. Review originally published on February 5, 2002.
  330. Life is a Dream, by Pedro Calderon de la Barca, produced by the Edge Theater Company. Review originally published on January 31, 2002.
  331. Embers, by Catherine Gropper. Review originally published on January 30, 2002.
  332. Syndrome, by Kirk Wood Bromley. Review originally published on January 23, 2002.
  333. The Phantom Lady, by Pedro Calderon de la Barca, produced by the Pearl Theatre Company. Review originally published on January 21, 2002.
  334. Cymbeline, by William Shakespeare, produced by Theatre for a New Audience. Review originally published on January 20, 2002.
  335. Carson McCullers (Historically Inaccurate), by Sarah Schulman, produced by Women's Project and Productions in association with Playwright's Horizons. Review originally published on January 20, 2002.
  336. The Castle, adapted from Max Brod's dramatization of Franz Kafka's novel by David Fishelson and Aaron Leichter, produced by the Manhattan Ensemble Theater. Review originally published on January 17, 2002.
  337. Summer of '42, book by Hunter Foster, music and lyrics by David Kirshenbaum. Review originally published on December 18, 2001.
  338. Psych, by Evan Smith, produced by Playwright's Horizons. Review originally published on December 16, 2001.
  339. Arms and the Man, by George Bernard Shaw, produced by the Jean Cocteau Repertory. Review originally published on December 16, 2001.
  340. The Scarlet Letter, by Michael David Smith and J.R. Mounts, produced by the Wings Theatre. Review originally published on December 9, 2001.
  341. Star Messengers, by Paul Zimet, produced by LaMaMa. Review originally published on December 5, 2001.
  342. Going to Bordeaux, by Richard Lay, produced by the Sage Theatre Company. Review originally published on December 2, 2001.
  343. Mrs. Feuerstein, by Murray Mednick, produced by Padua Playwrights. Review originally published on December 2, 2001.
  344. The Voice of the Turtle, by John Van Druten, produced by the Mint Theatre Company. Review originally published on December 1, 2001.
  345. Roadside, by Tom Jones and Harvey Schmidt, produced by the York Theatre Company. Review originally published on November 29, 2001.
  346. Iphigeneia at Aulis, by Euripides, translated by W.S. Mervin and George E. Dimock, Jr., produced by the Pearl Theatre Company. Review originally published on November 19, 2001.
  347. QED, by Peter Parnell. Review originally published on November 18, 2001.
  348. 45 Seconds From Broadway, by Neil Simon, produced by Emanuel Azenberg, Ira Pittelman, James Nederlander, Scott Nederlander, and Kevin McCollum. Review originally published on November 11, 2001.
  349. The Women, by Clare Boothe Luce, produced by the Roundabout Theatre Company. Review originally published on November 8, 2001.
  350. Where's My Money, by John Patrick Shanley, produced by the Manhattan Theatre Club. Review originally published on November 7, 2001.
  351. TimeSlips, by Anne Basting, produced by TimeSlips Project New York and Paul Lucas. Review originally published on November 4, 2001.
  352. Two Rooms, by Lee Blessing, produced by Blue Heron Theatre. Review originally published on November 4, 2001.
  353. Noises Off, by Michael Frayn, produced by the Royal National Theatre. Review originally published on November 1, 2001.
  354. Wonder of the World, by David Lindsay-Abaire, produced by the Manhattan Theatre Club. Review originally published on November 1, 2001.
  355. Habeas Corpus, by Alan Bennett, produced by the Pakasie Theatre Company. Review originally published on November 1, 2001.
  356. By Jeeves!, book and lyrics by Alan Ayckbourn, music by Andrew Lloyd Webber, produced by Goodspeed Musicals. Review originally published on October 28, 2001.
  357. The Legend of Sleepy Hollow, book and lyrics by Meg Belviso, music by Eric Baum, produced by Glass Slipper Theatricals. Review originally published on October 27, 2001.
  358. Thou Shalt Not, music and lyrics by Harry Connick, Jr., book by David Thompson. Produced by Lincoln Center Theater. Review originally published on October 25, 2001.
  359. Havana Is Waiting, by Eduardo Machado. Review originally published on October 24, 2001.
  360. Jitta's Atonement, a free adaptation by George Bernard Shaw, produced by the Lightning Strikes Theatre Company. Review originally published on October 22, 2001.
  361. Mamma Mia!, Music and Lyrics by Benny Andersson and Bjorn Ulvaeus, book by Catherine Johnson. Review originally published on October 18, 2001.
  362. The Shape of Things, by Neil LaBute. Review originally published on October 10, 2001.
  363. Metamorphoses, adapted and directed by Mary Zimmerman, produced by 2econd Stage. Review originally published on October 9, 2001.
  364. Reefer Madness, by Kevin Murphy and Dan Studney, produced by Dead Old Man Productions. Review originally published on October 7, 2001.
  365. Henry IV, by Luigi Pirandello, translation by Edward Storer, produced by the Storm Theatre. Review originally published on October 5, 2001.
  366. The Madwoman of Chaillot, by Jean Giraudoux, adapted by Maurice Valency, produced by the Colleagues Theatre Company. Review originally published on October 3, 2001.
  367. The Spitfire Grill, music and books by James Valcq, lyrics and book by Fred Alley, produced by Playwright's Horizons. Review originally published on October 2, 2001.
  368. Castro's Beard, by Brian Stewart, produced by The Deptford Players. Review originally published on September 20, 2001.
  369. Love, by David S. Rosenthal, produced by Play All Day Productions. Review originally published on September 20, 2001.
  370. The Holy Mother of Hadley New York, by Barbara Wiechmann, produced by New Georges. Review originally published on September 10, 2001.
  371. Boys' Life, by Howard Korder, produced by Broken Watch Productions, Inc. Review originally published on September 10, 2001.
  372. War Music, by Christopher Logue, produced by Verse Theater Manhattan. Review originally published on September 8, 2001.
  373. Say What?!: Ten Comedic Pieces of Miscommunication, by Michael Camenisch, John DeVore, Marcalan Glassberg, Terry Roueche, and Teresa Sullivan, produced by StageRight Productions. Review originally published on August 17, 2001.
  374. Too Rustic!, by Gregory Steinbruner with music composed and arranged by Bob Green, produced by Fifth Street Theater. Review originally published on August 9, 2001.
  375. The Moon in Vain, by Lee Gundersheimer and Rae C. Wright, produced by The Mercy Project and Dixon Place. Review originally published on August 7, 2001.
  376. If You Ever Leave Me... I'm Going With You!, written, directed, and starring Renee Taylor and Joe Bologna, produced by Martin Melzer, Stephen Melzer, Leonard Soloway, and Steven Levy. Review originally published on August 6, 2001.
  377. Topdog/Underdog, by Suzann-Lori Parks, produced by the Joseph Papp Public Theatre. Review originally published on July 26, 2001.
  378. The Grove Street Wannabees: Favorite 20th Century Eras, produced by Spotlight On Productions as part of the 2001 Midtown International Theatre Festival. Review originally published on July 22, 2001.
  379. Richard Hoehler's Working Class, by Richard Hoehler, produced as part of the 2001 Midtown International Theatre Festival. Review originally published on July 22, 2001.
  380. Spoon River Anthology, by Edgar Lee Masters, adapted by Charles Aidman, produced by A Company of Players as part of the 2001 Midtown International Theatre Festival. Review originally published on July 22, 2001.
  381. Sex Ed, by Suzanne Bachner, produced by the John Montgomery Theatre Company as part of the 2001 Midtown International Theatre Festival. Review originally published on July 21, 2001.
  382. Rhinoceros, by Eugene Ionesco, produced by InterArt Group as part of the 2001 Midtown International Theatre Festival. Review originally published on July 19, 2001.
  383. No Exit, by Jean-Paul Sartre, translated by Stuart Gilbert, produced by Rodney Hakim in association with the 2001 Midtown International Theatre Festival. Review originally published on July 19, 2001.
  384. Richard III, by William Shakespeare, produced by Genesis Repertory as part of the 2001 Midtown International Theater Festival. Review originally published on July 17, 2001.
  385. The Cabinet of Dr Caligari, book by Richard Lawton and Douglas Hicton, music and lyrics by Douglas Hicton, produced by John Chatterton as part of the 2001 Midtown International Theater Festival. Review originally published on July 17, 2001.
  386. Old, Borrowed and Blue, by Cara Worth and Stephen Waldrup, produced by Westside Dance Project as part of the 2001 Midtown International Theater Festival. Review originally published on July 16, 2001.
  387. Southern Discomfort, with lyrics by Alan Friedman, produced by Southern Discomfort Productions as part of the 2001 Midtown International Theater Festival. Review originally published on July 16, 2001.
  388. All Things Stinky, by Carl Gonzalez, produced by Waterfront Ensemble as part of the 2001 Midtown International Theater Festival. Review originally published on July 16, 2001.
  389. Happy Hour, produced by Hiu Productions as part of the 2001 Midtown International Theater Festival. Review originally published on July 16, 2001.
  390. Random Harvest, by Richard Willett, produced by New Directions Theater. Review originally published on June 25, 2001.
  391. World of Mirth, by Murphy Guyer, produced by Amy Danis and MARS Theatricals, Inc. Review originally published on June 21, 2001.
  392. The Vortex, by Noel Coward, produced by Innocent Theatre. Review originally published on June 20, 2001.
  393. Byrd's Boy, by Bruce J. Robinson, produced by Primary Stages. Review originally published on June 12, 2001.
  394. The Woman, by William C. deMille, adapted by David Zarko, produced by The Metropolitan Playhouse. Review originally published June 9, 2001.
  395. Kings, by Christopher Logue, based on the Iliad by Homer, produced by Verse Theater Manhattan. Review originally published June 7, 2001.
  396. Eat the Runt, by Avery Crozier, produced by Matthew von Waaden. Review originally published on June 5, 2001.
  397. A Naughty Knight, book by William Martin, score by Chuck Strand, produced by The Jewish Repertory Theatre. Review originally published on June 4, 2001.
  398. King Lear, by William Shakespeare, produced by the Pulse Ensemble Theatre. Review originally published on May 27, 2001.
  399. The Right Way to Sue, by Ellen Melaver. Produced by New Georges and HERE. Review originally published on May 21, 2001.
  400. A Tale of Cinderella, book by W.A. Frankonis, score by Will Severin and George David Weiss. Produced by the New York State Theatre Institute. Review originally published on May 19, 2001.
  401. Pictures of Me, Actually, by Dan Bredemann, produced by the Palm Theatrical Company. Review originally published on May 15.
  402. In the Parlance, by Richard Harland Smith, produced by Lightning Strikes Theatre Company. Review originally published on May 14, 2001.
  403. Historic Times, by Andrew Case, produced by the 78th Street Theatre Lab. Review originally published on May 13, 2001.
  404. The Tragedy of Macbeth, by William Shakespeare, produced by the Diamondpoint Theatre Company. Review originally published on May 7, 2001.
  405. Urinetown: The Musical, music by Mark Holliman, book and lyrics by Greg Kotis. Review originally published on May 6, 2001
  406. The IT Girl, music by Paul McKibbins, lyrics and book by B.T. McNicholl, book by Michael Small, produced by the York Theatre Company. Review originally published on May 5, 2001.
  407. O Pioneers!, music by Kim D. Sherman, lyrics and book adapted from Willa Cather's novel by Darrah Cloud, produced by The Acting Company. Review originally published on May 3, 2001.
  408. The Appointment, by Bob Clyman, produced by the Abingdon Theatre Company. Review originally published on May 2, 2001.
  409. King Hedley II, by August Wilson, produced by Sageworks, Benjamin Mordecai, Jujamcyn Theatre, 52nd Street Productions, Spring Sirkin, Peggy Hill, and Manhattan Theatre Club in association with Kardana-Swinsky Productions. Review originally published on May 2, 2001.
  410. George Gershwin Alone, by Hershey Felder, produced by Richard Willis, Martin Markinson, and HTG Productions. Review originally published on May 1, 2001.
  411. The Misanthrope, by Moliere (translated by), produced by the Jean Cocteau Repertory. Review originally published on April 24, 2001.
  412. Love, Janis, based on the book Love, Janis by Laura Joplin. Review originally published on April 22, 2001.
  413. O Pioneers!, written and directed by Robert Sickinger. Review originally published on April 21, 2001.
  414. Blast!, conceived and produced by James Mason. Review originally published on April 17, 2001.
  415. Saint Lucy's Eyes, by Bridgette A. Wimberly, produced by Women's Project & Productions. Review originally published on April 12, 2001.
  416. Do It!, produced by The Beggar's Group. Review originally published on April 8, 2001.
  417. The Importance of Being Earnest, by Oscar Wilde, produced by the American Globe Theatre. Review originally published on April 4, 2001.
  418. What You Will, by William Shakespeare, score by Andrew Sherman and Rusty Magee, produced by Moonwork. Review originally published on April 2, 2001.
  419. A Mouthful of Birds by Caryl Churchill and David Lan, and The Bacchae 2.1 by Charles L. Mee, Jr., produced by Rude Mechanicals Theater Company. Review originally published on April 2, 2001.
  420. No Niggers, No Jews, No Dogs, by John Henry Redwood, produced by Primary Stages (in association with Philadelphia Theatre Company). Review originally published on April 2, 2001.
  421. Shelf Life, by Jemma Nelson (conceived and directed by Caden Manson), produced by the Big Art Group. Review originally published on April 1, 2001.
  422. Boss Grady's Boys, by Sebastian Barry, produced by the 78th Street Theatre Lab (in association with the Organic Theater Company). Review originally published on March 25, 2001.
  423. Hedda Gabler, by Henrik Ibsen (translated by William Archer and Edmund Gosse), produced by the American Globe Theatre. Review originally published on March 23, 2001.
  424. Love's Labour's Lost, by William Shakespeare, produced by the Women's Shakespeare Company. Review originally published on March 19, 2001.
  425. Richard II, by William Shakespeare, produced by the Frog & Peach Theatre Company. Review originally published on March 11, 2001.
  426. Machinal, by Sophie Treadwell, produced by Synapse Productions. Review originally published on March 7, 2001.
  427. Cannibal! The Musical, by Trey Parker, produced by the Saturday Players. Review originally published on March 5, 2001.
  428. The London Cuckolds, by Edward Ravenscroft (adapted by John Byrne), produced by the Protean Theatre Company. Review originally published on March 5, 2001.
  429. Little Fishes, by Steven Haworth, produced by the Abingdon Theatre Company. Review originally published on March 2, 2001.
  430. Leaving Queens, book and lyrics by Kate Moira Ryan, music by Kim D. Sherman, produced by Women's Project and Productions. Review originally published on March 1, 2001.
  431. Saved, by Edward Bond, produced by Theatre for a New Audience. Review originally published on February 28, 2001.
  432. P.S. 69, by Susan Jeremy and Mary Fulham, produced by Asen Fulham Productions. Review originally published on February 3, 2001.
  433. Spike Heels, by Teresa Rebeck, produced by Edge Productions in association with Glass Slipper Theatricals. Review originally published on January 25, 2001.

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